next pattern by the analog roland orchestra. a homage to his heroes and the feeling they left since 1995. this analog one take live jam consists of a rough sh-101 bassline accompanied by it�s beloved fellows 808 & 909 and juno-6. live, analog, raw and this time distorted to punk the floor.

friebe, der klügste und schönste deutsche pop-hedonist geht zurück zu seinen wurzeln, punk, wave und chansons - und zieht aus ihnen blühende wundergewächse, wie das episch- euphorische titelstück mit scott-walker-würdigen streichersätzen. auch live wird in friebischer manier wieder ein feuerwerk aus wortwitz und schlechter laune geboten, musikalisch untermalt von chris imler die coole sau, der der show als drum- und sampler-wizzard, sowie vorzeige-dandy glanz und fahrt verleiht. kommt, staunt und jault.
die vinyl-lp erscheint inklusive cd-version des albums.

drittes und begnadet gutes neues album des us-alternative-country-duos shovels & rope, das seine karriere mehr als marathon statt als sprint lebt, und auf -swimmin time- auf sehr erfrischende art und weise folk, country, rock und punk miteinander vermengt und damit brilliert.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what�s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

collection of the bands early works. a glimpse into the tokyo / yokohama post-punk underground. check!

the pain machinery präsentieren 8 neue songs zwischen uk synth punk, chicago acid house und hardcore disco aus belgien. nachfolger zum surveillance culture album von 2011 als vinylveröffentlichung. restart besteht aus 8 neuen songs, die von uk synth punk, chicago acid house und hardcore disco aus belgien beeinflusst sind. auf 300 stück limitierte, handnumerierte auflage mit mp3-download-coupon!

cyber punk, poshgod, poshdoggydog. metro-zu hip hop crew affiliate, hailing from the miami cyborg world and now newly affiliated to trax couture crew. not just a producer, but artist in his own right poshgod gives his beautifully twisted view on club music which may sound familiar but listen close for the twisted glitched moments of his cyber perspective...

she lies are a disco post-punk band from berlin. they used to live together in an appartment sharing their musical ideas and inspiration before starting to record their no wave inspired songs.

editions mego is proud to present the first recordings by edvard graham lewis released this century. having made his name in legendary punk/experimental outfits wire, dome and he said lewis has developed an exceptional voice with ceaseless exploration of a wide variety of musical forms.

formed in opposition to the media identity schizophrenia of the present, thought broadcast thrive upon the post-punk tactics of forgery and radical anonymity. *votive zero* is the second release on editions mego from this mysteriously coded american outfit. emerging from the us noise/punk background thought broadcast further trace a unique path with nine carefully considered obfuscations of rhythm and blurred takes on expressionism.

mit wunderbaren songs wie -no problem- oder -i think i like u2- begeisterte jamaica, ein duo bestehend aus den franzosen antoine hilaire und florent lyonnet, bereits 2010 die fans weltweit. nun schickt sich jamaica an daran anzuknüpfen. -ventura- heißt das neue album, das abermals von peter franco produziert wurde, der zuletzt noch bei daft punk an den reglern saß und dem album den letzten musikalischen schliff gab. -ventura- ist dabei die logische fortführung seines vorgängers. geradlinige poprock-songs, die zeigen, dass die leichtigkeit des seins auch in der musik zu finden ist. die vinyl lp erscheint inklusive cd-versdion des albums.

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair� they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

the debut album by alle farben as translucent double vinyl with muliti-color splatters. comes in gatefold sleeve with cd-copy included.

Über eine dekade lang erarbeitete erik cohen sich als kopf und songschreiber der hc-/punk-legende smoke blow nachhaltige anerkennung, die ua in mehreren titelgeschichten bundesdeutscher fachorgane und zahlreichen gütesiegeln der kategorie platte des monats gipfelte.

emotional rescue is delighted to announce bringing together two classic suicide songs reinterpreted by avant-garde pop auteur angel corpus christi. recorded as part of angel s personal take on the downtown nyc scene, this release brings her cover versions of this cult band on one dedicated release for the first time. singer, songwriter and accordionist, angel corpus christi has carved out a niche all her own, releasing 5 albums and numerous singles that hightlight her oft-nonchalant musings over off kilter production and a post-punk-pop aesthetic

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

two years after the release of her groundbreaking lp din, fay re emerges with her new exhilarating new masterwork deathwatch. treading many of the signature avant-pop and rough-and-tumble r&b tropes first heard on din, deathwatch expands the sonic palette pushing elements of drone, no wave/post-punk, and dub higher into the mix.

i-boat captain returns to iib with a real gem of a tune. major spam is a chugging nu kraut dub disco bomb. driving drums and relentless bassline wrapped up in swirling synths and delayed vocals. almunia beef up the tempo and the kick, adding their trademark guitar melodies. tiedye turn major spam into an big piano balearic house monster ready for some hands in the air moments. finally on the remix our friends up north last waltz create a beautiful lush disco synth chug out. the extra track on the b side poly punk is a slo mo acid treat. squelching 303 underneath a delayed picked guitar and a soaring pad. balearic acid dub style.

odd frequencies is a brand new label coming straight from paris. this split ep brings two young producers together (the irish man lumigraph and the parisian rising star d.k.) and is the first of a series of releases confronting a local french producer to an international artist. 1 track on each side, 2 mutant bombs pushing the drum machines to their limits, as if steve poindexter was making punk music in 2014. a promising introduction for this label who will edit these hybrid jams on 10 inches vinyls, the unique format for a perfect balance between experimentation and dancefloor expectations.

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

the central executives what can we say ? not much as it turns out - the generally very forthcoming golf channel crew are remaining tight-lipped about the architects of this, frankly mind-blowing debut long-player from this new nyc collective. a walk in the dark is exactly that, a situationist song-sheet & sonic chaperone to guide us through the back street escapism these troubled times demand. from gently over-driven punk funkin mascara stained hymns, to house that has been thoroughly smudged to the edges of its live music incorporating limits. sitting very comfortably, in a moment of stewed elevation alongside sound signature style machine jams, bare bones vocal led improvisations, discordant arthur russell moments & the distorted reflections of roots house that run to the very core of the big apple. a drop-jaw debut then, that wears its influences proudly, but takes them somewhere entirely new.

ike yard came into being as no wave passed on, industrial was in the air and proto-techno had yet to be coined. propulsive, paranoid, aggressive electro minimalism, with as much attention paid to the mixing board and effects processors as to vocals, guitar and synth. at once starker and more fully-formed than virtually all other contemporaneous post-punk music. desires 2012 edition represents the first ever vinyl reissue of this classic, prophetic album. the line-up for the third remix ep includes a great deal of diverse music.
this is a 12 inch vinyl release, limited to 500 copies. grey vinyl, black inner-sleeve. artwork by stephen americh, inspired by the factory america design for ike yard�

zweites album der us-amerikanischen post-punk-band.
doppel-lp mit geätztem design auf der d-seite. erscheint im klappcover inklusive download-code.

deathday (formerly deathday party) is a los angeles based experimental post-punk band, formed in santa ana, california in 2008 by brothers alex guillén and giovanni guillén. previous incarnations of the group can be traced back to santa ana s koo s scene of the late 1990 s. while the title-track is an unreleased one, instead dropped into obscurity was already included in the downwards compilation click heels alongside with tropic of cancer, silent servant, the kvb. on the b side mannequin asked to the synth-master legowelt to remix after dark

another killer 3 track from moton where they do things different! peak time, looped up & fully charged - dim (love the outro) furious strumming 80s punk house - homo (my fav right now) & smooth out class - catsup. will be getting hammered as of now

a stunning piece of collaboration of four artists. yapacc returns on elusive with another hydrogen bomb, this time featuring powerful vocals from full-time punk-band drummer / up-and-coming recording artist antonia serra. the b-side by label owner slavaki features two mellow dubby beauties for your home entertainment or early hour club action, and truly can�t be asked to be any better either! and if you think that iss enough, this 12 inch has also been decorated with some cool handmade sleeve art by graphic artist craig keenan! perfect a side, perfect b side, limited handmade cover art. what more do you want from a record?

artfully exploded dance music meets busted techno for the post-punk demo tape set. comes as double 12 inch vinyl with download code.

boya is davin conaty, a young musician from the northwest of ireland. he grew up playing classical piano and trombone, which he left behind at the age of sixteen to play drums in a punk band. now he has moved onto machines - and somehow he has managed to extract as much feeling from them as live instruments. this is his first ep. we are proud to present it.

back in stock !! nyc punk disco / rock

spike wolters quartet of self released lps which surfaced between 1981 - 84 have become the stuff of legend. an avant garde collection of solo tracks, combining guitar, drum machines, synths & vocals into spacious, fx laden compositions which stand firmly outside of the era in which they were created. its a lo-fi, but broad selection, taking in experimental pieces, alongside taut post-punk workouts, and more laidback steely dan moments. the sixteen cuts on orange cloud nine have been lovingly compiled from those four early 80s lps by golf channels phil south. its a limited single vinyl package, with custom artwork from perks & minis misha & individual download code.

a demo tape, sent to capitol records by the trash company in the early 90s, garnered this curt response from then president of the r&b division, joy bailey: some music was never meant to be heard. thug records returns with one of the most intriguing releases to grace the catalogue so far. not restricted by any one scene, max monroe of the trash company produces a hypnotic medley of original hard edge rhythm & blues, soul dance and classic psychedelic punk wave textures. armed with a condition known as synesthesia meaning he perceives sounds, words and letters in terms of color and a 4 track cassette recorder, the trash company has spent the last 30 years as a bedroom recording genius.

emotional especial is the new label from the emotional recordings stable. a sub label to emotional response, especial is though squarely aimed at the floor rather than the head. in a similar vain to the limited 4 eps-only label that was emotional relish, it will merge the sounds and styles that influence contemporary electronic producers, taking in new wave, new beat, ebm and proto-house to create something modern. jamie paton of cage & aviary helms the debut release with bizarre feeling. a youth soaking up punk, dub and new wave, the ep acts at times as a homage to the sounds of new order, the the, kraftwerk and the then other-wordly machine funk emanating out of mid-80s chicago. with both timothy j fairplay and scott fraser aiding and abetting down in the scrutton street bunker studio, with keys, guitar and a heavy dose of space echo, plus hypnotic fx laden vocals from jamie himself, all propel the ep beyond pastische and make the perfect start to especial.

after the summer-smash-hit *gravity*, which is still on heavy rotation by dj-icons like maya jane coles or erol alkan, this is the second single taken from remutes brandnew album *theme tunes for 10 games never made*, called *something monstrous*
nomen est omen --- a screamin catchy vocoder-electro-banger for bodybuilders, disco dancers and, well, ... uhm, ... little monsters. following the tradition of daft punk, remute remixes himself here for the first time in his career and transforms the tune into an oldschool sawtooth-rave-monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the tresor-loveparade-park ...

tom withers aka klute is unlike any other drum & bass producer in the scene today. from his entry into the music business fronting the late 80s punk band the stupids and his early jungle releases on legendary label certificate 18, klute has always set himself apart from the pack never afraid to do things that little bit differently. 15 years in and his story continues as he prepares to unleash a staggering seventh studio album, *the draft*, another accomplished piece of musical ambition from a producer who never fails to disappoint.
comes as red coloured double 12 inch vinyl.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

ein neues ohrbooten-album steht in den startlöchern. alles für alle bis alles alle ist heißt es. was für ein motto! da wird aus den vollen geschöpft. die ohrbooten haben die erfahrungen und eindrücke der letzten bewegenden jahre fein säuberlich gesammelt und das gemacht, was sie am besten können: sie haben sie zu liedern verarbeitet. nach dem motto, keine wiederholung - was neues wird gemacht, haben sie schon immer gehandelt. und es ist erneut ein außerordentliches vergnügen, so eine volle ladung ohrbootenmusik zu tanken!

one is formerly the front man of a notorious glaswegian punk band, the other a meticulously precise studio guru with creative flair way beyond the majority. as solo artists they are a formidable force, as a collective they are quite simply one of the most exciting new acts in the uk right now. refusing to rush, they spend countless hours trying ideas, searching for samples, tuning percussion and tweaking sounds. for every mia dora track that sees the light of day, there are 100 that dont. this isnt throwaway club music for the internet generation, it is soulful, thoughtful and emotive music by two producers fuelled by an intrinsic need to give life to the sounds in their heads.

following the p-punk stomp that was electric plum (ticitaci 001/a) comes the sequencer track of the moment - lychee by tici taci label boss duncan gray

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

jackson & his computerband entstand im dunstkreis der letzten disco-funken der french-house-bewegung, aus dem auch daft punk und phoenix entsprangen. jackson zerlegte den filter-house seiner vorgänger und vermischte orchestralen bombast, techno und gothic-hiphop zu einer eigenwilligen mixtur, die einen hauch von post-millennium-barock in den rave zurückbrachte. doch im gegensatz zu daft punk und phoenix verschwand jackson danach in der versenkung, um nun endlich - als neuberliner - den langerwarteten nachfolger abzuliefern. *glow* ist ein lustspiel aus musikalischen obsessionen und furiosem vergnügen, das nur jemand erzeugen kann, der mit hardcore-techno sozialisiert wurde, aber im laufe seiner entwicklung zeitlosen pop und den unklassifizierbaren funk eines prince lieben lernte.

ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

leading up to the release of their next album, tribazik return with the remx ep spacetime collapse, featuring remixes from such electronic royalty as venetian snares. tribazik are no newcomers to the spotlight. having supported influential post punk band killing joke on their european tour and having previously enjoyed reviews from rock sound, kerrang and terrorizer on their last album all blood is red, mixed by andy gill, of gang of four, the band are establishing themselves as a force to be reckoned with.

in 2011, we begin to think about doing a record label. we had been following somaticae for some time and at this moment he was playing some art & punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. two of these sessions became our second release, *dressed like a bubblegum*, raising the interest of people like surgeon, perc, and peter van hoesen , his remix for mondkopfs *ease your pain* receiving praise from ancient methods as well as labels downwards and avian. but somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as *catharsis*, a ten track piece which is to be the first album release on in paradisum.

andrea tirone, the 27-year-old italian songwriter and producer behind mind enterprises, is a perennial outsider. forming a post-punk band in his teens, he soon started to crave the uks more vibrant music scene. two years ago he decided to leave his family and friends in italy, london, for tirone, signified freedom, and a place where you could be surrounded by other oddballs and music obsessives, possibly even make a career out of it too.
comes with download code for all tracks.

ricardo villalobos and frost & einzelkinds take on flying turns by philadelphia based post-punk band crash course in science, originally released in 1981 on the signals from pier thirteen ep. limited first pressing on picture vinyl.

bunkered between an arrangement of stackable synths, the squad jams workshop-style, 1 part airy coastal jazz, & 2 parts sci-fi soar into the new age, complete with philip k. dick winks, tech-know wonks & sleek daft punk-choreographed boogies.

limited to 500 numbered copies on purple coloured & marbled vinyl.
there is not much information available about this mysterious release, but it looks like a sunken treasure has found its way to daylight: a crazy no-wavey-punk-funky jam by the artist formerly known as a guy from minneapolis. now available for the first time on 12 inch! pressed on purple vinyl with white marbling, this beautiful diamond comes along with three pearls: a re-mastered version of the original track, a cover version and a jackin house re-edit. we suspect that berlin based producer noema droped the crazy cover version and chicagos own jamie 3:26 rides the rhythm on the edità rumours..rumours..rumours

after emerging from years of seclusion below the chicago underground last year, marquis cooper aka svengalisghost, returns with all new material recorded this winter somewhere between the woods of north carolina and the streets of nyc. an advocate in creating what he calls the anti-beat, cooper takes what he s learned from the traditional machine experimentation of the early pioneers, reconstructs and retransmits the sounds which lie somewhere in the realm of unhinged synth punk or industrial forward-thinking beat electronics. these tracks are truly the essence of house, and a vicious circle it is.